Author: Feed Fetcher

The first in a series of exhibitions that explore intergenerational dialogues and connections between visual arts and sound. Considering the gallery as a device that shapes cultural values and market trends, as well as historical and personal narratives, REVIVAL questions ideas of timelessness, cycles of consumption and exchange. What do these dialogues awaken, renew or

Meet the skilled specialists and industry veterans who empower Royal College of Art students and serve as a catalyst for creative innovation.

When you’re choosing a university for postgraduate stu…

The post Jie Jian: Where Language, Materiality, and Memory Collide appeared first on AATONAU.

The goal is not just representation but redistribution—lowering barriers to entry.

Oasis called the move “highly inappropriate” and accused DIC Corp of attempting to “deprive shareholders of their rightful assets.”

Kyiv-based photographer and researcher Dmytro Soloviov documents Ukraine’s 20th-century architectural heritage.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article ‘Ukrainian Modernism’ Chronicles the Nation’s Midcentury Architectural Marvels appeared first on Colossal.

A complex and complicated retrospective showcases the outlandish style icon and performance artist.

“I would like to do a collaborative drawing on paper of thousands of aeroplanes … Precisely rendered planes all seen in different perspective and at different angles so that they provoke desire. It must be an explosion.“—Alighiero Boetti This extraordinary show offers a rare opportunity to experience one of the most defining, visually striking, and

Featured artist Lisa Cunningham captures city scenes and architectural elements beautifully in her pastel portfolio.

The post Featured Artist Lisa Cunningham appeared first on Artsy Shark.

After nearly thirty years in Sweden, last summer Martha Edelheit returned to Manhattan’s Fifth Avenue where she had begun her career in the early 1960s as a painter, and, more discreetly, as a filmmaker, by way of a few charming short films signed “Martie Marbles”. When I visited her last February, she was working on