There’s a fine line between utility…
The prolific writer penned a seminal essay on Abstract Expressionism in 1973, going on to teach at universities across the United States and cultivate his own photography practice.
The artist’s ambiguous figures exist in a continual state of metamorphosis between formation and deformation.
By embracing horror through the larger-than-life persona he constructed, the photographer occupies an odd middle ground between the news media and its parody.
The institution said it would continue to embrace diversity, equity, and inclusion in the face of widespread government funding cuts and pressures.
Timothy Martin could go to prison for smearing black paint on the protective case of Edgar Degas’s “Little Dancer,” which was unharmed, at the National Gallery of Art.
In paintings and sculptures portraying laboring bodies, the artist demonstrates that our collective unconsciousness has always been tied to natural cycles.
Brooklyn residents are invited to draw a shape that represents Brooklyn through their unique lens.
The exhibition references Richard Powers’ novel The Overstory, which beckons readers into a winding narrative tuned into the intimations of the trees.
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