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Recycled Materials Draw Attention to Ocean Plastics in Ana Brecevic’s Assemblages

Recycled Materials Draw Attention to Ocean Plastics in Ana Brecevic’s Assemblages“I live along the Atlantic coast, where I collect marine waste that inspires and feeds into this body of work,” Brecevic says.

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$70 million Giacometti fails to sell at Sotheby’s modern evening sale.

Sotheby’s modern evening sale fetched $186.4 million on May 13th.. The sale’s most highly anticipated lot—Alberto Giacometti’s Grande tête mince (1955), estimated in excess of $70 million—failed to attract a buyer. All prices include fees.

The Giacommeti work—a bronze bust of the artist’s brother Diego—saw bidding stall around the $64 million mark, according to The Art Newspaper. With no pre-sale guarantee for the work, it failed to sell, reportedly drawing gasps from those in attendance.

Of the 65 works offered on the evening, Sotheby’s reported an 83% sell-through rate, which excludes five withdrawn lots. The sale’s leading lot was René Magritte’s La Traversée difficile (1963), which sold for $10.04 million, just above its low estimate of $10 million. Magritte’s La Bonne aventure (1939) sold within its $3 million–$4 million estimate for $3.34 million.

Some of the auction’s early lots performed well, including Jean Arp’s Figure-germe dite l’apres-midinette (1959), which sold for $3.58 million against a $1.8 million high estimate, and Robert Delaunay’s Nature morte (1936), which fetched $2 million against a $1.5 million high estimate. A lamp designed by Frank Lloyd Wright broke the famed architect’s auction record when it sold for $7.49 million against a $5 million high-estimate.

Still, the auction saw several blue-chip works fall below their pre-sale estimates. Joan Miró’s Tête de fumeur (1925) sold for $914,400, below a $1 million low-estimate, while Fernand Léger’s La Jeune fille au bouquet (1921) sold for $3.71 million against a $5 million low-estimate.

In total, nine lots failed to sell, including pieces by Pablo Picasso, Henri Matisse, Edgar Degas, Pierre Soulages, and Andrew Wyeth. Withdrawals included works by Winslow Homer, Wassily Kandinsky, Cândido Portinari, Pierre-Auguste Renoir, and, during the sale, Rufino Tamayo.

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Radio Juxtapoz, ep 164: Too Bad, So Sad, Maybe Next Birth in the Universe of Shyama Golden

Radio Juxtapoz, ep 164: Too Bad, So Sad, Maybe Next Birth in the Universe of Shyama Golden
“‘Too Bad, So Sad, Maybe Next Birth’ was a phrase my parents would say whenever something was out of my control and didn’t go exactly according to plan,” Shyama Golden wrote on the subject of her new solo show of the same name for PM/AM in London. “It feels to me like a short phrase that embodies the entire human struggle, like Sisyphus pushing the boulder up the hill.” The Los Angeles-based painter has created a universe where reincarnation, generational trauma and suffering (and a sense of humor to cope with it), Sri Lankan folktales and a personal journey through time and the soul’s journey through eras. Golden told me she wanted to create a works that spoke of “past…
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Paola Grizi Adds New Meaning to ‘Literary Figures’ in Emotive Bronze Sculptures

Paola Grizi Adds New Meaning to ‘Literary Figures’ in Emotive Bronze SculpturesReliefs of eyes, noses, and mouths peer outward like knowledge and stories personified.

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“SCOPE” at Sentiment, Zürich

Seeing is never just seeing. It is shaped by technology and history, by power, and by the body. Philosopher Elizabeth Grosz reminds us that perception isn’t merely light hitting the eye—it’s both a physical and a social experience. What we see is dictated by what we’re allowed to see, by what’s framed for us, and
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Kyle Coniglio “No More I Love You’s” @ Richard Heller Gallery, Santa Monica

Kyle Coniglio
Richard Heller Gallery is pleased to present Kyle Coniglio, No More I Love You’s. This is Coniglio’s first solo exhibition with the gallery.