Laura Ellen Bacon Brings Somerset Willow ‘Into Being’ at Yorkshire Sculpture Park

Laura Ellen Bacon Brings Somerset Willow ‘Into Being’ at Yorkshire Sculpture Park

From pliable lengths of sustainably sourced Somerset willow, Laura Ellen Bacon (previously) weaves elegant, meandering sculptures. Whether installed on a wall, streaming from windows, or curled up on a plinth, her works invite us to wander through installations that appear alive and moving.

Bacon’s latest solo exhibition, Into Being, just opened at Yorkshire Sculpture Park. The Derbyshire-based artist created pieces for the park’s 18th-century chapel, centering around an eponymous central piece that extends six meters into the nave and reaches three meters high. Mirroring shapes from nature like seed pods, burrows, and cocoons, the undulating form welcomes visitors to step inside a kind of gentle, organic embrace.

Artist Laura Ellen Bacon standing in front of a sculptural installation that moves through an architectural space and interacts with windows, made of woven willow branches
The artist with “Into Being”

Joining a continuum of artists like Andy Goldsworthy—who has four works permanently on display ay YSP—Nicola Turner, and Kate MccGwire who utilize natural materials to create enigmatic in situ installations, Bacon’s site-specific works respond directly to their surroundings. She constructed “Into Being” on location at YSP over the course of eight weeks, re-interpreting the space by “drawing” with willow. About 80 bundles of Dicky Meadow, a variety known for its slender and straight stem, wind their way through the gallery

In Britain, people have been weaving with willow for upwards of 10,000 years, primarily using the material for creating baskets. The thin stems are soft, flexible, and lightweight, making them easy to handle and bend. Bacon has developed her own methods during the past two decades, experimenting with relationships between curves and lines, tightness and looseness, and knots and twists to create contemporary, abstract compositions.

Branches that have naturally fallen from beech trees at YSP form part of the sculpture’s supporting structure, which, “through its material and form, conjures up a primal instinct to nest and reconnect with the natural world,” says a statement. When the installation is dismantled later this year, the material will be repurposed on the YSP grounds to create wildlife habitats.

Into Being continues through September 7 in West Bretton, England. Find more on Bacon’s website and Instagram.

a sculpture made from willow, installed on the wall, featuring an organic, woven form that ineracts with a horizontal board
“Contact”
a detail of woven willow branches
Detail of “Contact”
a sculptural installation that moves through an architectural space and interacts with windows, made of woven willow branches
“Into Being”
a detail of a sculptural installation that moves through an architectural space and interacts with windows, made of woven willow branches
Detail of “Into Being”
a detail of a sculptural installation that moves through an architectural space, made of woven willow branches
Detail of “Into Being”
a sculpture made from woven willow that resembles a curled-up animal on a plinth in front of a window in a white room
“Confidant”
a detail of a sculptural installation that moves through an architectural space, made of woven willow branches
Detail of “Into Being”
a detail of a sculptural installation that moves through an architectural space, made of woven willow branches
Detail of “Into Being”

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