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Justin Cole “What’s Ripe Will Rot” @ Lyles & King, NYC

Justin Cole
What’s Ripe Will Rot continues Justin Cole’s exploration of life and death’s cyclical nature. In this collection, Cole captures the enormity of time’s passage and surrenders it to the earth. Flowers burn, feral and untamed. Fading figures are conjured in desolate landscapes. In this world, there are no beginnings or endings, only the uncertain middle. With each passing moment, the subjects disappear further into the unknown.
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TiredCity unveils new identity with Hands Collective

Vietnamese art retailer TiredCity has revealed a striking rebrand, including a new typographic system, refined visuals, and a dynamic design language that reflects the brand’s evolution in Vietnam’…
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Review of Caran d’Ache Neoart 6901 Oil Pastels

On hearing that Caran d’Ache was expanding their already extensive line of excellent products with some new pastels, I was very excited! I’m a big fan of Caran d’Ache and their products – particularly their Luminance colour pencils, Neocolor II watersoluble wax pastels, and Neopastel oil pastels. I was intrigued to see how the Caran d’Ache Neoart 6901 oil pastels would compare to both, and how they would work as part of a mixed-media practice.     Review of Caran d’Ache Neoart 6901 Oil Pastels   Excellent Lightfastness Rating The big plus to these new Caran d’Ache Neoart 6901 oil pastels is that they are the first wax and oil pastels to meet ASTM D-6901 standards, ensuring exceptional lightfastness for up to 100 years. Tested in the Arizona desert, the range of 48 colours offers superior lightfastness, with 34 LFI (best lightfastness) and 14 LFII (very good lightfastness) ratings. Featuring 75% single pigment or bi-pigment formulations, Neoart 6901 sets a new benchmark in pastel performance. I tested the set of 12 assorted colours, which includes a selection of essential colours to get started, along with six single-pigment colours. Nine of the colours are LFI-rated, and three are LFII.     …

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