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The Collected Works and PRINT Magazine craft a new identity for PRINT Awards 2025

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The PRINT Awards have long stood as a beacon of excellence…

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Social media in 2025: why creatives are ditching ‘rented’ spaces for owned platforms

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Trainline’s ‘Bums on Board’ campaign encourages Brits to take the train

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Beats unveils ‘Listen to Your Heart’ campaign to launch Powerbeats Pro 2

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Northern Design Festival 2025 shines a light on Transparency in the creative industry

Northern Design Festival returns to Lancaster this May with a theme tackling industry gatekeeping and championing accessibility in design. Through talks, workshops, and networking, NDF 2025 empower…
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Artist Review of the Month News Feed Articles palette Studio and General Watercolour Painting

Artist Review of Jackson’s Ceramic Palette

Jackson’s Ceramic Palette can be used with watercolour, inks, and dyes. Made from porcelain, it is easy to clean, will not stain, and will keep your paints wet for longer than a plastic palette which means a longer period for wet mixing. In this Artist Review of the Month, watercolour painter Virginia Pope shares how she uses the palette in her watercolour practice.     Artist Review of Jackson’s Ceramic Palette by Virginia Pope A studio piece. A thing of beauty is a joy forever. This palette certainly qualifies. The smooth bright whiteness is vital in helping you to clearly see your colours and the adjustments you make when mixing – it’s a pure and simple way of achieving your best result. This palette has weight, without being hefty and it will not move about. Plastic and metal palettes stain, so the true colour you are trying to achieve becomes a hit-and-miss affair. And as you add water to your paint it doesn’t hold together in one puddle as it does on ceramics, it gets busy, dividing into many sketchy small ones. Chasing these around to fill your brush is time-consuming and distracting, neither of these are welcomed when working …

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