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Salvador Dalí’s “Giraffes on Horseback Salad” to be recreated using AI.

Salvador Dalí’s screenplay Giraffes on Horseback Salad, often referred to as The Surrealist Woman, will be produced using AI through Google’s video generation platform, Veo 2. The film was announced on April 9th at the Google Cloud Next convention in Las Vegas. At the convention, there was a screening for the trailer of the film—what has been described not as a direct recreation but a “reawakening” of Dalí’s vision. The project is supported by the advertising company Goodby Silverstein & Partners and The Dalí Museum in Florida.

Initially penned in 1937 for the Marx Brothers, Giraffes on Horseback Salad was reportedly deemed too surreal for production by their studio, Metro-Goldwyn-Mayer. The screenplay, thought to have been lost, detailed an unconventional love story involving a Spanish aristocrat, intended to be played by Harpo Marx, and a “surrealist woman,” whose face remains unseen.

“Dalí imagined a film so surreal, so untethered from convention, that it wasn’t realized in his lifetime,” said Jeff Goodby, co-chairman of Goodby Silverstein & Partners. “Now, thanks to the astonishing capabilities of Veo 2 and Imagen 3, we’ve been able to help bring that vision to life—not as a replica, but as a reawakening. It’s one of the most creatively thrilling things we’ve ever done.”

The history behind Giraffes on Horseback Salad is complicated. A few paragraphs of a screenplay was uncovered in Dalí’s archive in 1996, seven years after his death. Then, in the mid-2010s, pop culture scholar Josh Frank discovered an 84-page handwritten notebook at the Centre Pompidou, containing Dalí’s extensive notes and visions for the project. Using these archival materials, Frank partnered with comedian Tim Heidecker to compose a full screenplay, which the two adapted into a graphic novel illustrated by Manuela Pertega in 2019.

“Salvador Dalí said that he would be remembered for the words he wrote even more than for his paintings,” said Dr. Hank Hine, director of The Dalí Museum, Florida. “This technology, in the respectful hands of artists, allows Dalí’s imagined world, locked in language, to erupt into visibility.”

This project marks another milestone in the partnership between Goodby Silverstein & Partners and The Dalí Museum, which includes previous ventures such as Ask Dalí, an AI-powered interactive conversation with the artist, and The Dream Tapestry, a surrealist art generator.

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After Years of Figurative Painting, Abstraction Roars Back in New York’s Galleries Better Than Ever

A New York–specific obsession with painting has officially collided with a zest for “rediscoveries.”
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Ana Grigorovici on building financial stability and navigating systemic barriers

As part of our Financial Transparency theme, we speak with Ana Grigorovici, founder of Design Bench Studio, about learning to value her work, the hidden costs of immigration, and why purpose and pr…
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Singapore’s Milan Design Week 2025 showcase bridges past, present and future

Set inside a centuries-old church in Milan, Future Impact 3: DESIGN NATION traced six decades of Singaporean design, from cultural icons and everyday ephemera to future-facing provocations.

In the…

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Jameson Green Heads to Westside in “Aut Viam Inveniam Aut Faciam”

Jameson Green Heads to Westside in
A show we are excited to see, as its in our backyard in LA’s westside as Derek Eller has opened a space on Main Street in Santa Monica. Jameson Green will showcase a new series of paintings in Aut Viam Inveniam Aut Faciam, in a building designed by Frank Gehry. Aut Viam Inveniam Aut Faciam translates as “I will either find a way or make one”, and Green’s exhibition explores the tragedy and promise inherent to the human condition in a visual vernacular informed by comics, caricatures, outsider art, and the western canon. Green’s expressionistic figurative compositions are ambiguous allegories which touch on issues of sacrifice, perseverance, the power of speech, and corruption. Without being didactic, the narratives present familiar scenarios…
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Sarah Miska Highlights a “Twist to strengthen” with Carla Edwards

Sarah Miska Highlights a
Lyles & King is pleased to present Twist to strengthen, a two-person exhibition by Sarah Miska and Carla Edwards. The exhibition features paintings by Miska alongside fabric wall works and rope floor sculptures by Edwards. Connecting their practices is a fastidious approach to materials and an impulse to deliver incisive cultural critique. The show’s title Twist to strengthen,* can be read as a command or an action, referring to aspects of physical labor that are at times depicted or imbued within their works. Across Miska and Edwards’ work, there is a quietly foreboding sensibility, an interplay between domination and wildness, as well as a shared, distinctly American, visual lexicon.
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Milan Design Week 2025: Cupra finds an unusual way to show it’s serious about design

Cupra is extending its design thinking to other products… and it makes me wonder, why aren’t other car brands doing the same?

Walking past Cupra’s installations in central Milan, I had to double…

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Koto threads the needle for Uniqode’s seamless QR rebrand

Koto has reimagined Uniqode—the world’s first enterprise-ready QR platform— balancing conceptual depth, technical innovation, and a dash of unexpected humanity.

There’s a fine line between utility…