The Slouching Beast of Southern California

Alternately ominous and transcendent, Doug Aitken’s panoramic Lightscape cycles through scenes of human movement enthralled by highways and city streets.
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Alternately ominous and transcendent, Doug Aitken’s panoramic Lightscape cycles through scenes of human movement enthralled by highways and city streets.
The show argues that caring for unhoused and dispossessed people is not a task to be sloughed off to the “city,” but rather a responsibility each of us shoulders.
This exhibition about the multihyphenate filmmaker is as much about the place he chose to call home and all the people who pepper it with color.
The majority of the art in Mutual Aid: Art in Collaboration with Nature is still based on human manipulations of or interventions into natural processes.
Despite the often stifling influence of critic John Ruskin, Francesca Alexander dedicated her art and life’s work to the people of Tuscany.
In her art, Flowers thinks about monster mythology and autonomy as they relate to the all-too-human experience of feeling unwanted and out of place.
Scientia Sexualis attempts a decolonial approach to the subjects of gender, sexuality, and representation in relation to the clinical gaze.
The pairing of Amanda Church and Jenny Hankwitz, both longtime practitioners of geometric abstraction, is a stroke of genius for their similarities and differences.
Over 40 works dating from the 12th through the 16th century fill this compact, beautifully curated show.