Hardy Hill “Mysterious Barricades” at Fanta-MLN, Milan
In hindsight, it became clear that Koomer didn’t want to live his life at all. He wanted someone to take it over from him. I used to relate far more than I would like to admit to that sentiment, but I have always advocated a shared control approach to tulpamancy. His modus operandi was to
Marie Lund “She said Rain” at palace enterprise, Copenhagen
Marie Lund’s artistic practice arrives from a contemplation on the interdependencies between architecture, space, objects, and bodies. Her sculptural works hold references to existing, functional objects, which she releases from their original use and transforms through tensile material processes into abstract sculptural structures. Often situated in relation to liminal positions, in resistance to sculpture as
Black Dandyism, the 2025 Met Gala’s Theme, Has Its Roots in 18th-Century Painting
The much-anticipated Met Costume Institute exhibition, “Superfine: Tailoring Black Style,” opens to the public May 10.
Shanee Roe: Clinging Knots @ 68 Projects, Berlin
With Clinging Knots, our friend and contributing editor Charles Moore has curated Shanee Roe’s first solo exhibition at 68projects in Berlin.
How to Price Your Art | A Practical Guide for Emerging Artists
Learn How to Price Your Art and Start Selling Your Work It might be your first attempt as an artist, or you might feel quite fulfilled. In both cases, pricing your work can be highly problematic. We have gathered six quick tips for you to ease the process and stop feeling guilty or humble. After…
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Toyin Ojih Odutola’s New Drawings and Works on Paper in “Ilé Oriaku”
Jack Shainman Gallery is pleased to present Ilé Oriaku, an exhibition of multimedia drawings and works on paper by past Juxtapoz cover artist, Toyin Ojih Odutola, the artist’s seventh solo show with the gallery. Building upon her inclusion in the Nigerian Pavilion at the Venice Biennale and her solo exhibition at the Kunsthalle Basel, both in 2024, these works present episodic scenes that together explore the uses and limitations of language—including its beauty both in failure and success—as a vehicle for processing grief and as a tool for creating personal meaning and collective history.
Hell is Hot in Emma Stern’s Universe
One of the great podcasts we have ever shared was our chat with Emma Stern in 2022. What we learned was her dedication and deep-dive into a universe creating art form, and what seems crazy is that at the time, the talk of AI wasn’t even evolved as much as it would emerge in the years to follow. In an interview later that year, Stern told us “… I acknowledge there is a blueprint that is really hard to get outside of when we create and design our virtual selves. We must be existentially attached to it. I was raised pretty religiously, and I always return to this concept from the Creation myth that, “God can only create in his…
How are we supporting mental health in our workplaces right now?
There’s a lot of talk about mental health support in the creative industry at the moment. But is this just lip service, or are agencies taking practical action?
Whenever you’ve had a difficult day…
‘Click all the squares with bikes’: Iris brings online captcha chaos into the real world for World
A new international outdoor campaign by Iris for digital identity platform World turns our collective hatred of captchas into an absurd, eye-catching, and surprisingly insightful brand statement ab…