New Brooklyn Art Fair Aims to Rewire the Market for Global Majority Artists
The goal is not just representation but redistribution—lowering barriers to entry.
Activist Fund Condemns Decision to Relocate Rothko’s ‘Seagram Murals’ to Private Members’ Club in Tokyo
Oasis called the move “highly inappropriate” and accused DIC Corp of attempting to “deprive shareholders of their rightful assets.”
‘Ukrainian Modernism’ Chronicles the Nation’s Midcentury Architectural Marvels
Kyiv-based photographer and researcher Dmytro Soloviov documents Ukraine’s 20th-century architectural heritage.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article ‘Ukrainian Modernism’ Chronicles the Nation’s Midcentury Architectural Marvels appeared first on Colossal.
Leigh Bowery’s Tate Survey Exudes Grimy, Glamorous Hedonism
A complex and complicated retrospective showcases the outlandish style icon and performance artist.
“Alighiero e Boetti: Embellishing the Sky” at Ben Brown Fine Arts, London
“I would like to do a collaborative drawing on paper of thousands of aeroplanes … Precisely rendered planes all seen in different perspective and at different angles so that they provoke desire. It must be an explosion.“—Alighiero Boetti This extraordinary show offers a rare opportunity to experience one of the most defining, visually striking, and
Featured Artist Lisa Cunningham
Featured artist Lisa Cunningham captures city scenes and architectural elements beautifully in her pastel portfolio.
The post Featured Artist Lisa Cunningham appeared first on Artsy Shark.
How the Royal College of Art’s technical team help transform creative careers
Meet the skilled specialists and industry veterans who empower Royal College of Art students and serve as a catalyst for creative innovation.
When you’re choosing a university for postgraduate stu…
“Even Cowboys get the blues” at Air de Paris
After nearly thirty years in Sweden, last summer Martha Edelheit returned to Manhattan’s Fifth Avenue where she had begun her career in the early 1960s as a painter, and, more discreetly, as a filmmaker, by way of a few charming short films signed “Martie Marbles”. When I visited her last February, she was working on
An Honesty Thing: Peter Hujar, “Eyes Open in the Dark” at Raven Row, London
Like a vow, a shine, a chance, or a breath, a photograph is something taken. This taking suggests a transgression that effects some form of transformation, that destines an infidelity. Yet in Peter Hujar’s vitalized portraits—coarsened and creamed, dusted and darkened—there is far less taking than giving. This giving arose from Hujar’s patience, noticing the