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The artist’s deep appreciation for iconic artworks inspires tiny odes to famous compositions.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Intricate Postage Stamp Tattoos by Ash Aurich Are an Ode to Art History appeared first on Colossal.
Sasaki portrays botanicals in enchanting glass sculptures ranging in size from a few feet to room-size.
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“The Gates” was an artwork within an artwork, inscribing the populist impulse of Central Park into 7,500+ neon orange armatures with billowing fabric.
The artist resurrects moments of celebration in Before These Witnesses, whose subjects look back at us across time and offer themselves to be seen.
Director of Curation Erin Remington shares the top trends from Frieze LA 2025 and the Saatchi Art artists bringing them to life.
The post Curator’s Notes from Frieze Los Angeles 2025 appeared first on Canvas: A Blog By Saatchi Art.
In Deborah Kass’s Art History Paintings, the politics of display are just the beginning.
Met Museum curator Iris Moon dismantles misconceptions of vanity and frivolity within the porcelain craft in the upcoming exhibition Monstrous Beauty.
The artist begins each artwork with a color palette and no plan.
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The Corita Kent Art Center combines the artist’s foundation, an archive and gallery, and educational and community spaces to continue her extension of art into life.
Surman renders animals in a manner that reflects our tendency to ascribe human emotion and feeling to other species.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article David Surman’s Gestural Paintings Question How We Understand Animal Emotion appeared first on Colossal.