Allison Glenn to Curate 2026 Toronto Biennial
The closely watched curator is best known for her 2021 exhibition “Promise, Witness, Remembrance,” dedicated to the life of Breonna Taylor.
Alison Friend and Ravi Zupa Highlight Harman Projects Booth @ Outsider Art Fair NYC
Harman Projects is pleased to announce our participating in the Outsider Art Fair, the premier art event for self-taught, art brut, and artists working outside the traditional art world. For our debut presentation at OAF, Harman Projects will be presenting new and recent works by Alison Friend (United Kingdom) and Ravi Zupa (Denver, Colorado).
The UK’s New Tax Rules Have Art Dealers Worried About the Consequences
The wealthy appear to be forsaking the UK in droves, and newly initiated tax rules don’t appear to be helping.
CDK Company Makes Moves Through a Contemporary Art Museum to Billie Eilish’s ‘Bittersuite’
Set among paintings and installations in Museum Voorlinden, three dozen performers lead us on a vibrant, emotive journey.
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Nigeria Works to Reclaim Benin Bronzes, With a Change of Custodian
Nigeria’s long-running effort to repatriate the Benin Bronzes—some of the most prized artifacts in African history—has taken a turn.
Orlando Museum of Art and Family of Ex-Director Agree to Drop Lawsuits
Litigation had been pending even after ex-director Aaron De Groft’s death due to Florida law.
Loosely Woven Burlap Mimics Digital Pixels in Jennifer J. Lee’s Photorealistic Paintings
Lee’s paintings challenge the speed at which we consume images on screens.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Loosely Woven Burlap Mimics Digital Pixels in Jennifer J. Lee’s Photorealistic Paintings appeared first on Colossal.
Stonehenge: A Guide to England’s Most Famous Ancient Monument
The ancient monument remains shrouded in mystery, although decades of archaeological research has gleaned some important findings.
Many Rooms with “No Room for Emptiness” for Diane Dal-Pra in Milan
MASSIMODECARLO is delighted to present No Room for Emptiness, the first Italian solo exhibition by French artist Diane Dal-Pra. A title like this might hint at an overwhelming fullness, an attempt to keep emptiness at bay – but Dal-Pra subverts this expectation entirely. She courts emptiness, plays with it, stretches it until it becomes tangible. Her paintings exist in a state of beautiful instability: bodies flicker in and out of form, textiles morph into landscapes, and spaces fold in on themselves like fabric.